0
3 min
The materiality of reversal-film is being portrayed. This analogue technology, with its exposed chemical skeleton is clashing in an anachronistic filmic gag with contemporary digital animation. Colour is not presented as a natural, but a highly constructed medium in the expierence of film. This is a short experimental-essay which is questioning canonized and hegemonic film-rituals used to build and test cinematic-images.
| Name | Character | Team | |
|---|---|---|---|
| Almut Schilling | Unowned | ||
| Maria Luz Olivares Capelle | Unowned |